Consider Yusuke’s mentor Master Genkai, an elderly woman who spent her life pushing her body to the limit in order to develop her impressive spiritual powers. While in some cases YYH goes to great lengths to give us female powerhouses, the show ultimately falls short on this promise. Worse still, the narrative also fails in ways that are less immediately obvious than a panty shot. What’s nice about the female characters is, however, simultaneously frustrating: for all the show’s promise, it still falls into several instances of common “ shounen bullshit.” It provides occasional fan service, including a scene in episode one, when Yusuke lifts Keiko’s skirt to give the viewer a panty shot, and in subsequent scenes where he inappropriately comments on her developing body. Each of these characters has a distinct personality, rather than simply being “the feminine one” or “the tomboy one”: Botan is goofy, capable, and upbeat Keiko is a responsible, caring, and plucky schoolgirl Shizuru is a tough, no-nonsense sass-master and Yukina is the embodiment of sweetness and light.While not necessarily the focus at any given point in the story, each make up an integral part of the crew and help keep the audience emotionally engaged throughout. In addition to Botan and Keiko, Kuwabara’s sister, Shizuru, and Hiei’s sister, Yukina, join the team as well.
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While Yu Yu Hakusho clearly establishes an all-male cohort as its main fighting characters, the female characters are still important and well-developed compared to those in other battle shounen, especially other series from the late 80s and early 90s. As tends to be the case in shounen anime, he forms a posse, including his childhood rival-turned-best-bro, Kuwabara Kazuma, who embodies the stereotypical gentle giant persona Hiei, a standoffish demon with his own goals and priorities and Kurama, an intelligent, gender-nonconforming kitsune recently reborn into a human body. In his new position, Yusuke must investigate suspicious spiritual activity and take out any misbehaving demons he encounters in the human world along the way. Yusuke is then appointed to the role of spirit detective and begins taking direct orders from Koenma, the toddler prince of the Underworld. After briefly learning of Yusuke’s troubling life, the beloved blue-haired, pink-robed shinagami Botan explains that, due to a fluke, Yusuke has the option to return to the world of the living by completing several tasks - a feat that, though challenging, has him back in his body by episode five. As he floats above his own corpse, we are formally introduced to Yusuke, a 14-year-old delinquent who, while not dodging class or antagonizing his childhood friend Yukimura Keiko, seemingly lives only to fight. In the very first moments of the pilot, the protagonist Urameshi Yusuke dies while saving a small child from being hit by a truck. Yu Yu Hakusho, unfortunately, overtly and subtly fails its female characters time and again. Although these elements make it worth the rewatch even now, my love for this anime hasn’t completely obscured its flaws. It is this slew of characters that has kept me hooked on Yu Yu Hakusho for the past 18 years, in addition to the “fight your enemies head on and defeat them through raw power and sheer force of will” storyline that will always be a guilty pleasure of mine. However, these elements take their time getting fully established within the bones of the show, giving the viewer time to bond with the series’ gaggle of main characters. In true battle shounen fashion, Yu Yu Hakusho embraces the fighter’s spirit and a taste for the ridiculously overpowered villain in arc after arc. With its superb dub and absolute banger of an opening song, Yu Yu Hakusho made its North American television debut in 2002, a whole 10 years after its initial release in Japan. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.Content Warning: Fanservice, sexism, transphobia If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file.
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